BY SOURAV DUTTA Indian visual art started getting closer to the European modern art movements sometime in the 1960s and 70s. Until then, most of India’s best-known visual artists, like Jamini Roy and Nandalal Bose, primarily drew their inspiration from Indian folk traditions or frescoes of an earlier era, as seen in the caves of Ajanta and Ellora. However, the liberalization of the economy in … Continue reading Pseudorealism at Bangalore